Taught courses on programming, automation, and historical perspectives on AI in the Science, Technology, and Society program at Tufts University

Reviewed Neil Verma’s Narrative Podcasting in an Age of Obsession for the Journal of Radio & Audio Media

With Jonathan Sterne, published “When a Format (Almost) Becomes an Instrument: Eurorack in a Logistical World” in JCMS

Reviewed Eric Dienstfrey’s Making Stereo Fit: The History of a Disquieting Film Technology for Film Quarterly

Reviewed Kyle Barnetts’s Record Cultures: The Transformation of the U.S. Recording Industry for the Journal of Popular Music Studies

Published an article in New Media & Society on “Google Radio Automation and the broadcast plights behind platformization”

For the sound studies journal Resonance, wrote an essay called “Reflections from an Artist Researcher: A History of Wave Farm at 25” (PDF)

Through the Journal of Popular Music Studies, published a transcript of a conference panel – “Sounds of Accompaniment: Music, Technology, and Labor amid Capitalist Aesthetics” (PDF) – from SCMS 2022 with Alexandra Hui, Alex Russo, and Amy Skjerseth

Contributed a chapter, titled “Radio Automation: Sonic Control in American Broadcasting,” to The Routledge Companion to Radio and Podcast Studies

Archived and produced artworks for broadcast radio as Wave Farm’s 2021-22 Radio Artist Fellow

Led, through Wave Farm, an online media arts workshop on Radio Deprogramming

Published an article about the Emergency Alert System in the Canadian Journal of Communication

Contributed with other HASTAC scholars to a collective review of Katina Rogers’s Putting the Humanities PhD to Work

Wrote a field note for the Grierson Research Group about tape media and automation in the 1950s

Contributed to a collective review for Amodern of Dylan Robinson’s Hungry Listening: Resonant Theory for Indigenous Sound Studies

Built a website for the (COVID-nixed) Containment & Intimacy conference

Helped develop digital humanities applications including Digital Mappa 2.0 and Neatline for Omeka S

Reviewed Damon Krukowski’s The New Analog for Sounding Out!

Wrote a master’s thesis in Comparative Media Studies at MIT, titled “Listening in Code: Process and Politics in Interactive Musical Works”

Collaborated with Leigh Kaulbach on a 40-day mail/sound art exchange

Published an article on “Reactions to Analog Fetishism in Sound-Recording Cultures” in The Velvet Light Trap

In Seton Hall’s Department of Communication, Media, and Arts, teaching Fall 2025 courses Sound, Technology, Culture and Sound Production and Engineering I

Developing a book from my dissertation on radio automation, Unmaking a Medium: Automation and Art in American Radio, 1950–2010

Researching, with Mehak Sawhney and other collaborators assembled by Jonathan Sterne, how practitioners in sonic AI and its subfields conceive of listening

Experimenting with “stream eddies,” a machine listening process for working with radio and other signals

A tuner that consults a personal listening schedule for online radio streams

Zotfile and Syncthing to help move PDFs and annotations between Zotero and an Android e-ink tablet

A plain text note-taking and drafting workflow with a few custom add-ons

This site, which relies on the Jekyll framework and custom theming, with GitHub Pages for hosting