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Article: Eurorack in a Logistical World
🎛 🌐️
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Book review: Making Stereo Fit
📘 🎞️
📘 🎞️
Reviewed Eric Dienstfrey’s Making Stereo Fit: The History of a Disquieting Film Technology for Film Quarterly
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Book review: Record Cultures
📘 ⏺️
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Article: Google Radio Automation
☁️ 📻
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Essay: “A History of Wave Farm at 25”
📡️ ⏳️
📡️ ⏳️
For the sound studies journal Resonance, wrote an essay called “Reflections from an Artist Researcher: A History of Wave Farm at 25” (PDF)
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Field note: “Sounds of Accompaniment”
🎶️ 🦾️
🎶️ 🦾️
Through the Journal of Popular Music Studies, published a transcript of a conference panel – “Sounds of Accompaniment: Music, Technology, and Labor amid Capitalist Aesthetics” (PDF) – from SCMS 2022 with Alexandra Hui, Alex Russo, and Amy Skjerseth
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Chapter: “Radio Automation”
📻️ 🤖️
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Wave Farm radio art fellowship
📡 🎨
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Radio Deprogramming Workshop
🛠 📻
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Article: “Acoustic Infrastructure”
🚨 📻
🚨 📻
Published an article about the Emergency Alert System in the Canadian Journal of Communication
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Collective review: Putting the Humanities PhD to Work
📘 🛠
📘 🛠
Contributed with other HASTAC scholars to a collective review of Katina Rogers’s Putting the Humanities PhD to Work
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Field note: “The Automation Tapes”
🤖 📼
🤖 📼
Wrote a field note for the Grierson Research Group about tape media and automation in the 1950s
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Collective review: Hungry Listening
📘 👂
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Containment & Intimacy
📦 🖤
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DH software development
🖥 🗺
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Book review: The New Analog
📘 🎙
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MS thesis: “Listening in Code”
🎧 🎛
🎧 🎛
Wrote a master’s thesis in Comparative Media Studies at MIT, titled “Listening in Code: Process and Politics in Interactive Musical Works”
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Artwork: “Mixed Messages”
✏️ 🔉
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Article: “Analog Fetishism”
🎙 🎚
🎙 🎚
Published an article on “Reactions to Analog Fetishism in Sound-Recording Cultures” in The Velvet Light Trap