Writing/research activity
Reviewed Neil Verma’s Narrative Podcasting in an Age of Obsession for the Journal of Radio & Audio Media
With Jonathan Sterne, published “When a Format (Almost) Becomes an Instrument: Eurorack in a Logistical World” in JCMS
Reviewed Eric Dienstfrey’s Making Stereo Fit: The History of a Disquieting Film Technology for Film Quarterly
Developing a book from my dissertation on radio automation, Unmaking a Medium: Automation and Art in American Radio, 1950–2010
Reviewed Kyle Barnetts’s Record Cultures: The Transformation of the U.S. Recording Industry for the Journal of Popular Music Studies
Published an article in New Media & Society on “Google Radio Automation and the broadcast plights behind platformization”
For the sound studies journal Resonance, wrote an essay called “Reflections from an Artist Researcher: A History of Wave Farm at 25” (PDF)
Through the Journal of Popular Music Studies, published a transcript of a conference panel – “Sounds of Accompaniment: Music, Technology, and Labor amid Capitalist Aesthetics” (PDF) – from SCMS 2022 with Alexandra Hui, Alex Russo, and Amy Skjerseth
Contributed a chapter, titled “Radio Automation: Sonic Control in American Broadcasting,” to The Routledge Companion to Radio and Podcast Studies
Published an article about the Emergency Alert System in the Canadian Journal of Communication
Contributed with other HASTAC scholars to a collective review of Katina Rogers’s Putting the Humanities PhD to Work
Wrote a field note for the Grierson Research Group about tape media and automation in the 1950s
Contributed to a collective review for Amodern of Dylan Robinson’s Hungry Listening: Resonant Theory for Indigenous Sound Studies
Reviewed Damon Krukowski’s The New Analog for Sounding Out!
Wrote a master’s thesis in Comparative Media Studies at MIT, titled “Listening in Code: Process and Politics in Interactive Musical Works”
Published an article on “Reactions to Analog Fetishism in Sound-Recording Cultures” in The Velvet Light Trap